Thursday 16 May 2013

Alexandra Shulman visits Ravensbourne



It was a brilliant experience at Ravensbourne when Alexandra Shulman, Editor of British Vogue, gave us two hours of her time to talk all things fashion and Vogue.  In what felt like an incredibly intimate and private discussion, Shulman was incredibly open and down to earth, giving us the lowdown on British Vogue, a different perspective of the fashion industry and answering any questions thrown at her.  She even invited us to offer our own comments and criticisms of Vogue – a reminder that it’s important to seek and use genuine feedback at every opportunity.    

Shulman took over as Editor of British Vogue in 1992 (that’s 21 years ago) and is now the second longest serving Editor.  Interestingly, she started out trying to crack the music industry but that didn't work out: ‘I just wanted to live the rock and roll lifestyle with a boyfriend in a band’.  There followed a period in journalism working for The Tatler, The Sunday Telegraph and GQ before Shulman joined Vogue.  When asked where she feels the magazine sits in the marketplace, Shulman replied that ‘Vogue is something people have come to trust in, not just as a book of fashion but as a magazine which records culture, art and fashion through the years.  People trust it to be relevant’.  I couldn’t agree more.

Shulman told us that the cover is the most commercially important part of any magazine as this is what draws new people in.  She described them as ‘an imperfect art’ and said that one of her favourites was Vogue’s ‘millennium cover’, when both the front and back of the magazine was a silver reflector, making each reader the face of Vogue.  During her editorship, British Vogue has gone from producing 12 magazines a year to adding 6 supplements, Miss Vogue, Vogue Festival and app, Vogue website and now Vogue books featuring selected designers with a history of working with the magazine.   That’s one shed-load of deadlines. 

It was amazing to meet such an influential and respected woman.   Her talk was insightful and inspiring and the discussions were really useful for the magazine projects we are all working on.  Shulman was very in control and obviously works hard to stay on top of her game and keep pushing boundaries, so it was brilliant that she gave so freely of herself and was completely down to earth and straight talking.  It gave us all hope and inspiration.  And she gave us what will probably become a favourite quote ‘it’s my idea and that’s why I love it’.  Brilliant.  Thank you Alexandra Shulman.

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